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I have been doing a Kiss Bootleg Series for years. You get a review every time I...
Emanating the haunting melancholy of Alexandre Cabanel’s Fallen Angel in the cov...
Havyah took indie folk down a rhythmic-pulse-bending, uncharted corridor with th...
With his jazz-esque freeform expressionist style, the electronica artist and pro...
Instead of chasing playlist placement or gaming algorithms, Jay Activist is rebu...
Tender is the timbre in Nina Mae Harper’s mournfully magnetic single, A Long Tim...
Few artists transmute emotional wreckage into art with the precision and self-po...
Keith Z has stars and stripes in his eyes in his latest salaciously hooky rock-m...
There’s nothing stale about Daren Reece Lamberton’s recent seminal single, Yeste...
Capturing the incessant spiral of questions, spikes of regret, and the whiplash ...
This week we are going to talk about Bon Jovi’s latest album, Forever (Legendary...
For her debut single, Spider Veins, First Robin fused Nils Frahm-esque piano-dri...
Imagine Neutral Milk Hotel lending their rugged timbres to Muse, and you’ll get ...
If I were given the option of living in a utopia filled with hollow, soulless so...
Nick Shaquan turned up the heat with the Deluxe version of Relax, a track that e...
For My Sunday Song #468, we are talking “Do Her Wrong” by the band AtomSmash. Th...