Shadows, Masks and Miniatures: An Interview with PRI//

PRI// returns to A&R Factory with Filthy Times, a record stitched together from 42 fragmented pieces that carry the weight of memory, humour, and discomfort in equal measure. In this conversation, PRI// speaks candidly about shaping an album around brevity, the healing nature of sound, and the subconscious forces that drive both lyrics and melodies. From toy-like tools and broken machines to theatrical masks and horror-film references, the textures of Filthy Times are as fractured and surreal as the childhood recovery that inspired them. With flashes of comic relief flickering against darker themes, PRI// discusses how music becomes both a mirror and a mask, offering listeners a strange mix of catharsis and confrontation. This interview lifts the veil on that alchemy. Welcome back to A&R Factory, PRI//, it’s great to have you with us again ahead of your new album release. Filthy Times is made up of 42 miniatures, each one deliberately short and fractured. What drew you to that format, and how did it influence the way you expressed the themes of childhood recovery? There’s a honesty level that comes up when you reach into the subconscious levels and divine intervention where lyrics and melodies come from. I guess […] The post Shadows, Masks and Miniatures: An Interview with PRI// appeared first on A&R Factory.

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PRI// returns to A&R Factory with Filthy Times, a record stitched together from 42 fragmented pieces that carry the weight of memory, humour, and discomfort in equal measure. In this conversation, PRI// speaks candidly about shaping an album around brevity, the healing nature of sound, and the subconscious forces that drive both lyrics and melodies. From toy-like tools and broken machines to theatrical masks and horror-film references, the textures of Filthy Times are as fractured and surreal as the childhood recovery that inspired them. With flashes of comic relief flickering against darker themes, PRI// discusses how music becomes both a mirror and a mask, offering listeners a strange mix of catharsis and confrontation. This interview lifts the veil on that alchemy. Welcome back to A&R Factory, PRI//, it’s great to have you with us again ahead of your new album release. Filthy Times is made up of 42 miniatures, each one deliberately short and fractured. What drew you to that format, and how did it influence the way you expressed the themes of childhood recovery? There’s a honesty level that comes up when you reach into the subconscious levels and divine intervention where lyrics and melodies come from. I guess […]

The post Shadows, Masks and Miniatures: An Interview with PRI// appeared first on A&R Factory.