Dead Colours found the indietronica euphoria in slow-burning self-desctruction with their single, Electricity

Sometimes we’re called to the void, other times we’re pulled toward slow-burning self-destruction. For those answering the latter call, Dead Colours offered aural rehab with their latest single, Electricity, while delivering a rush of synth-driven indie-pop euphoria. The guitars chop and snarl around the already amped-up beats, while the hypnotically mellifluous vocals carry just enough gruff swagger to make the lyrics feel like a cure. Running like the sonic lovechild of a Britpop anthem that chose to flirt with indietronica and warp the bloodlines, Electricity does exactly what the title promises: it charges you up, throwing you into the rough, raw realism of indie rock while keeping you pulsing on a synth-pop high. Released on French Wives Club on 24 September 2025, the single doubles as a metaphor for the lure of self-destructive habits and the strange comfort they hold. It tracks the push-pull of temptation and release with visceral precision, turning those spiralling urges into something almost transcendent. UK-based Dead Colours have earned their reputation on high-voltage indie-electronic releases that traverse the space between nostalgia and invention. With a sound that fuses the drama of ‘80s synth-pop with the edge of ‘90s alt-rock, they’ve been building a loyal following […] The post Dead Colours found the indietronica euphoria in slow-burning self-desctruction with their single, Electricity appeared first on A&R Factory.

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Sometimes we’re called to the void, other times we’re pulled toward slow-burning self-destruction. For those answering the latter call, Dead Colours offered aural rehab with their latest single, Electricity, while delivering a rush of synth-driven indie-pop euphoria. The guitars chop and snarl around the already amped-up beats, while the hypnotically mellifluous vocals carry just enough gruff swagger to make the lyrics feel like a cure. Running like the sonic lovechild of a Britpop anthem that chose to flirt with indietronica and warp the bloodlines, Electricity does exactly what the title promises: it charges you up, throwing you into the rough, raw realism of indie rock while keeping you pulsing on a synth-pop high. Released on French Wives Club on 24 September 2025, the single doubles as a metaphor for the lure of self-destructive habits and the strange comfort they hold. It tracks the push-pull of temptation and release with visceral precision, turning those spiralling urges into something almost transcendent. UK-based Dead Colours have earned their reputation on high-voltage indie-electronic releases that traverse the space between nostalgia and invention. With a sound that fuses the drama of ‘80s synth-pop with the edge of ‘90s alt-rock, they’ve been building a loyal following […]

The post Dead Colours found the indietronica euphoria in slow-burning self-desctruction with their single, Electricity appeared first on A&R Factory.